Ruşen.

RUSEN BIRBEN / PHOTOGRAPHS

Ruşen means light.

Color, shadow, and ordinary things worth noticing.30 frames · 6 series

SELECTED WORK / 6 CHAPTERS

Stories in passing.

As I placed the photographs beside one another, relationships I had not noticed before began to emerge. Each passing moment left something of itself in the frame beside it.

SERIES / 01

The Neighbours

The city does not belong only to those in a hurry. The cats hold their ground and a pigeon returns our gaze; neighbourliness begins where we realise that another life has noticed us, too.
02

Keeper of the House

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FUJIFILM X-S20XF16-80mmF4 R OIS WR

74.2 mmƒ/41/450 sISO 1600

I went to Kuzguncuk to photograph its houses. Then this cat appeared in the late-afternoon light and quietly outshone every building; my favourite photograph from the walk belonged not to a house, but to its cat.

03

Without Moving

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FUJIFILM X-S20XF16-80mmF4 R OIS WR

80 mmƒ/4.51/90 sISO 1600

People streamed past in Çankaya while the cat lay there with its full weight surrendered to the ground. Its only answer to the urgency of the city was not to move.

04

Somebody Is Watching Me I

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FUJIFILM X-S20XF16-80mmF4 R OIS WR

80 mmƒ/7.11/1000 sISO 1250

The pigeon seemed unaware of the camera as it watched the city in its own silence. For that moment, I thought I was the only observer in the frame.

05

Somebody Is Watching Me II

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FUJIFILM X-S20XF16-80mmF4 R OIS WR

80 mmƒ/7.11/1250 sISO 1250

Then it suddenly turned its head. The attention in its gaze was a reminder that we are not the city’s only witnesses; other lives are watching us, too.

SERIES / 02

The Stranger Everyone Knows

Spider-Man appeared in the everyday flow of Üsküdar’s waterfront and drew a small crowd within minutes. Burak Soylu’s performance briefly turned traffic into a stage.Performance: Burak Soylu · @theburaksoylu
06

Entering the Stage

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FUJIFILM X-S20XF16-80mmF4 R OIS WR

52.4 mmƒ/51/1000 sISO 500

The black-and-red car carried an unexpected character into Üsküdar’s everyday traffic.

07

Within the City

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FUJIFILM X-S20XF16-80mmF4 R OIS WR

58.6 mmƒ/51/1000 sISO 500

The moment the mask came into view, every gaze nearby changed direction.

08

The Stranger Everyone Knows

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FUJIFILM X-S20XF16-80mmF4 R OIS WR

58.6 mmƒ/51/1000 sISO 500

Everyone recognised this stranger whose face remained hidden.

SERIES / 03

A Garden Is a Workplace

While we ask roses to speak for love, the little fly I mistook for a bee carries on with its shift, indifferent to metaphor. A garden is where the beauty we interpret and the life that simply continues work side by side.
09

Even in the Dark

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FUJIFILM X-S20XF16-80mmF4 R OIS WR

41.1 mmƒ/41/52 sISO 12800

The white rose is, to me, an image of love left unstained. That it can find its own light in the dimness of night suggests that such a love can remain alive even inside darkness.

10

Soft Weather

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FUJIFILM X-S20XF16-80mmF4 R OIS WR

32.5 mmƒ/41/15 sISO 12800

Night leaves the pink roses suspended somewhere between reality and dream. They inhabit the uncertain place where love’s rose-coloured fantasy meets the truth of what we feel.

11

First Approach

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FUJIFILM X-S20XF16-80mmF4 R OIS WR

80 mmƒ/41/32000 sISO 6400

I thought it was a bee when I first saw it. I had yet to recognise the bee-mimicking hoverfly; the perfection of its disguise made the encounter precious from the first frame.

12

At the Centre

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FUJIFILM X-S20XF16-80mmF4 R OIS WR

80 mmƒ/41/32000 sISO 6400

As it settled to feed, the whole world narrowed to a small field of yellow. Beyond the strength it imitated, the attentive rhythm of its own life came into view.

13

Crossing

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FUJIFILM X-S20XF16-80mmF4 R OIS WR

80 mmƒ/41/32000 sISO 6400

Its landing, the rubbing of its forelegs, and each small movement across the flower turned a brief meeting into sustained observation. Seen closely, repetition began to reveal character.

14

Before the Lift

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FUJIFILM X-S20XF16-80mmF4 R OIS WR

80 mmƒ/41/32000 sISO 6400

The wings moved before the feet. The photograph held the tiny decision between belonging to the flower and leaving it behind.

15

The Work Continues

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FUJIFILM X-S20XF16-80mmF4 R OIS WR

80 mmƒ/5.61/550 sISO 320

At the next flower, everything began again. The small fly that fooled me left two lessons behind: persistence inside repetition, and the difference between being dangerous and looking strong.

SERIES / 04

Ways of Looking

Some images do not appear directly before us; they reveal themselves only after passing through water, leaves, or another frame. The world may remain the same, yet every surface the gaze crosses builds it anew.
16

Rize, After the Rain

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FUJIFILM X-S20

58.6 mmƒ/221/320 sISO 8000

Even when the rain stops in Rize, it does not leave the city. The water it leaves by the shore gathers daily life into its silence; the shelter becomes not merely a refuge, but a memory of life shaped by the Black Sea climate.

17

The Sky’s Name: Rize

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FUJIFILM X-S20

80 mmƒ/41/244 sISO 200

Rain has brought the sky down to earth and placed Rize’s name inside it. With mountain, tea, and cloud held together, the city becomes the mirror the Black Sea turns upon itself.

18

The Earth’s Name: Rize

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FUJIFILM X-S20

80 mmƒ/221/50 sISO 1250

Its name rests in water; its roots are in green. As tea, rain, and earth speak from the same root, Rize becomes more than a city and turns into a homeland.

19

Borrowed Leaves

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FUJIFILM X-S20XF16-80mmF4 R OIS WR

56.5 mmƒ/41/10 sISO 3200

A green light chosen to illuminate the night without disturbing the plants left an unexpected portrait behind. An act of care placed the human shadow back inside nature.

20

When the Tale Blossoms

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FUJIFILM X-S20XF16-80mmF4 R OIS WR

63 mmƒ/41/10 sISO 160

Snow White’s stillness deepens in the vitality of pink flowers. As tale and spring merge, grace becomes a quiet enchantment that spreads across the entire frame.

21

What Green Revealed

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FUJIFILM X-S20XF16-80mmF4 R OIS WR

60.8 mmƒ/7.11/1400 sISO 160

I made this photograph with a green filter while first getting to know Fuji’s film simulations. The filter made the fine structure of the dandelion’s white filaments more visible than I expected.

SERIES / 05

Light on Its Way Out

Daylight shows everything at once; darkness forces a choice. What remains is light between clouds, a stranger still moving, purple distilled from the noise, and two different places for love to put its focus.
22

Weather Opening

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FUJIFILM X-S20XF16-80mmF4 R OIS WR

80 mmƒ/201/160 sISO 1250

Behind Rize’s overcast sky, the light had always been there. Its passage through the clouds is a reminder that brightness exists beyond what we are living through; sometimes we need only choose to look toward it.

23

The Quiet Hour

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FUJIFILM X-S20XF16-80mmF4 R OIS WR

29.2 mmƒ/5.60.8 sISO 160

At the loneliest hour of night, the moon and the empty street seemed alone; then a pedestrian entered the frame. Even when unseen, movement continues, and life never comes entirely to rest inside the deepest silence.

24

Night Bloom

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FUJIFILM X-S20XF16-80mmF4 R OIS WR

80 mmƒ/4.51/70 sISO 500

Sometimes, to truly see beauty, the colours around it must be quieted. Left alone, violet shows how attention can transform even an ordinary flower by clearing away the noise.

25

Red, Almost Black

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FUJIFILM X-S20XF16-80mmF4 R OIS WR

80 mmƒ/4.51/90 sISO 5000

When love fills our vision completely, the rest of the world withdraws into darkness. Only the call of red remains: intense, absolute, leaving room for nothing else—a life held inside love.

26

Still Holding Blue

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FUJIFILM X-S20XF16-80mmF4 R OIS WR

80 mmƒ/4.51/85 sISO 5000

When love does not blind us, it reveals the life around it as well. Here the rose finds meaning together with the sky: love within a life, joining the world without erasing it.

SERIES / 06

Encounter

A brief story told in light by two boats whose paths crossed at sunset.
27

Following

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FUJIFILM X-S20XF16-80mmF4 R OIS WR

80 mmƒ/41/120 sISO 1000

The little boat moved toward the horizon, wondering where the sunset would lead.

28

Drawing Near

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FUJIFILM X-S20XF16-80mmF4 R OIS WR

48.5 mmƒ/41/5 sISO 3200

Their reflections reached across the water and touched before the boats did.

29

Someone on the Horizon

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FUJIFILM X-S20XF16-80mmF4 R OIS WR

48.5 mmƒ/41/5 sISO 3200

When the sun withdrew, another light answered from the dark.

30

Alone

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FUJIFILM X-S20XF16-80mmF4 R OIS WR

80 mmƒ/41/3 sISO 3200

The sea parted their courses again; the night carried the light of the boat left behind.